Day 2: Thinking about the Kzoo Program
This morning I am reflecting on the program of sessions. It’s part of the ritual (or my ritual – I don’t know about anyone else!) to plan out the sessions I want to attend and think about the broad spectrum of work offered by my fellow medievalists. It’s often a mind-boggling experience, given the depth and breadth of topics and disciplines. The sheer number of subjects of which I haven’t even previously heard is humbling as well as exciting.
I am rather conditioned at this point to pick out those sessions and papers with any reference to memory in them. This year, the vast majority of those about memory are Anglo-Saxon-specific. Two sessions in particular, “Memory and Community in Anglo-Saxon England” (413) and “Memory at Work In Anglo-Saxon England” (519), are entirely devoted to the subject. The first is primarily comprised of papers on Beowulf; the title “Burning to Remember, Eating to Forget” has immense possibilities. The latter session includes a title that intrigues me – “Memory and Identity Formation: A Cognitive Construction of the Self in The Wanderer.” I often teach this text through the concept of memory, particularly its bittersweet components. Is it better to remember or to forget? Which causes the most pain? This title makes me consider the possibilities of the loss of memory dealing the final “death blow” to The Wanderer’s previous life. Is it in the pain of remembering that he still retains what is left of his kin, of his role in society? If he forgets, will he, in essence, cease to exist? Another session, “Text and Image II: Memory and Visual Space” (232), looks interesting. As is not uncommon, there are several individual papers exploring the connections between death and memory.
Coinciding with being hired at Fitchburg State, I have found my interest in panels shifting. Now, at least half of the time, I choose sessions based upon what might be beneficial to me in the classroom. For instance, a roundtable on Friday (260), “Teaching Marie de France” (sponsored by the International Marie de France Society), is calling to me. As I was just mentioning last night, my students adore Marie de France. It has been one of the biggest surprises as a teacher; for some reason, I did not expect her to be such a draw. However, she does have everything – romance, intrigue, werewolves, knight-saving damsels, resurrecting weasels. Perhaps I shouldn’t have been surprised. At any rate, I am curious what others have to say.
Then there is always the almost hagiographic torture of the sessions that are happening while I am already booked!
I need a rest, and this is only the program!